Welcome to the new Movies at the Museum! Continuing the tradition of The Movies on Exchange Street, we will showcase the best in foreign, classical, and art films. Sign up for our weekly Movies emails.

Tickets: $7
Tickets are sold beginning at 10 a.m. on the day of the show at Admissions Desk.

March Movies Flyer

North Face

Friday, March 12, 6:30 p.m.
Saturday, March 13, 2 p.m.
Sunday, March 14, 2 p.m.
NR

To be the first to climb the famous, notorious Eiger north face—the dream of mountain climbers from all over Europe in the summer of 1936.

Based on a true story, North Face is a gripping adventure drama about a competition to climb the most dangerous rock face in the Alps. In July of 1936—less than a year after the most recent and fatal attempt, two top German mountaineers, Toni Kurz and Andi Hinterstoisser, take up the challenge to become the first to scale the infamous rock face, the so-called Murder Wall.

While preparing themselves at the foot of the mountain, Toni and Andi unexpectedly run into Luise, the early love of Toni. Now a journalist, she has come with her boss Arau, a loyal Nazi, to report about the first ascent. International press and assorted well-heeled climbing fans will turn the expedition into a spectator sport and follow their progress on binoculars from the luxury of the Swiss resort of Grindelwald at the foot of the Eiger.

In German with English subtitles.

“It is impossible not to put yourself in the boots of the mountaineers clinging to a sheer, icy rock face during a blizzard that threatens to send them into oblivion.”  Stephen Holden, New York Times

Starring Benno Fürmann, Florian Lukas, and Johanna Wokalek
Directed by Philipp Stölzl, 2010
RT: 126 min.
Official Site

The Girl on the Train

Friday, March 19, 6:30 p.m.
Saturday, March 20, 2 p.m.
Sunday, March 21, 2 p.m.
NR

Based on a play by Jean-Marie Besset, The Girl on the Train is inspired by one of the most media-blitzed and polarizing events in recent French history: a young woman’s lie about being the victim of an anti-semitic attack on a Paris suburban train.

Jobless, soul-searching, and rollerblading Jeanne lives in a Paris suburb with her widowed mother Louise, who makes a living as a baby-sitter. Louise helps her daughter get a job with her old flame Samuel Bleistein, now a famous lawyer and Jewish activist. When Jeanne’s budding relationship with aspiring wrestler Franck is shattered by a violent turn of events, Jeanne and Bleistein’s opposite worlds get set on a collision course, as the film becomes a complex psychological drama raising issues of race, religion, and identity.

“A seductive drama.” Manohla Dargis, New York Times

Starring Catherine Deneuve, Émilie Dequenne, Nicolas Duvauchelle, Michel Blanc, and David Barbas
Directed by André Téchiné, 2010
RT: 105 min.
Official Site

The Most Dangerous Man in America

Friday, March 26, 6:30 p.m.
Saturday, March 27, 2 p.m.
Sunday, March 28, 2 p.m.
NR

“First, I didn’t like their decision, unbelievable, wasn’t it? You know those clowns we got on there. I tell you, I hope I outlive the bastards.”—President Richard M. Nixon (in conversation with J. Edgar Hoover, on the Supreme Court’s decision to allow the ongoing publication of the Pentagon Papers, July 1, 1971)

“I just say that we’ve got to keep our eye on the main ball. The main ball is Ellsberg. We’ve got to get this son-of-a-bitch.”—Nixon (in conversation with Attorney General John Mitchell, June 29, 1971)

In 1971, Daniel Ellsberg, a high-level Pentagon official and Vietnam War strategist, concludes that the war is based on decades of lies and leaks 7,000 pages of top secret documents to the New York Times, making headlines around the world.

A riveting story of how one man’s profound change of heart creates a landmark struggle involving America’s newspapers, its president, and Supreme Court. A political thriller whose events lead directly to Watergate, Nixon’s resignation and the end of the Vietnam War

Nominated for a 2010 Best Documentary Academy Award.

“It pulses with the suspense and momentum of a sleek thriller-a wily caper flick that just happens to revolve around one of the most crucial chapters in recent American history.” Ann Hornaday, Washington Post

Directed by Judith Ehrlich and Rick Goldsmith, 2009
RT: 92 min.
Official Site

Broken Embraces

Friday, April 2, 6:30 p.m.
Saturday, April 3, 2 p.m.
Sunday, April 4, 2 p.m.
Rated R

A man writes, lives, and loves in darkness. Fourteen years before, he was in a brutal car crash on the island of Lanzarote. In the accident, he not only lost his sight, he also lost Lena, the love of his life. This man uses two names: Harry Caine, a playful pseudonym with which he signs his literary works, stories and scripts, and Mateo Blanco, his real name, with which he lives and signs the film he directs. After the accident, Mateo Blanco reduces himself to his pseudonym, Harry Caine. If he can’t direct films he can only survive with the idea that Mateo Blanco died on Lanzarote with his beloved Lena.

In the present day, Harry Caine lives thanks to the scripts he writes and to the help he gets from his faithful former production manager, Judit García, and from her son Diego, his secretary, typist and guide. Since he decided to live and tell stories, Harry is an active, attractive blind man who has developed all his other senses in order to enjoy life, on a basis of irony and self-induced amnesia. He has erased from his biography any trace of his first identity, Mateo Blanco. One night Diego has an accidental interaction of recreational drugs, and Harry takes care of him (his mother, Judit, is out of Madrid and they decide not to tell her anything so as not to alarm her). During the first nights of his convalescence, Diego asks him about the time when he answered to the name of Mateo Blanco, after a moment of astonishment Harry can’t refuse and he tells Diego what happened fourteen years before with the idea of entertaining him, just as a father tells his little child a story so that he’ll fall asleep.

Starring Penélope Cruz, Blanca Portillo, and Lluís Homar
Directed by Pedro Almodóvar, 2010
RT: 128 min.
Official Site